Getting Swampy With Jessie Smith

A couple of years ago, I came across an EP on NoiseTrade from an artist named Jessie Smith. Having been raised on sweet tea and hot, steamy summer days, the southern vibes of Smith’s sound were immediately appealing. I especially connected with the rawness and grit of her single, Secrets in the Hollow. I felt so engaged by the song that I included it on one of Tomme Suab’s weekly TS10  playlists.

Normally, when I share an artist’s music on the TS10, I start following them on social media. For what it’s worth, Smith is a “fun follow” on Twitter; funny, self-deprecating, and honest. Last summer, she tweeted about performing in Wisconsin. I replied back to her, telling her she really ought to get up to Eau Claire next time she’s in this neck of the woods. Thankfully, she’s planning to come up this way in August as she tours the upper midwest promoting her newly released album, Like the Sun.

Like the Sun is more of what drew me to Secrets in the Hollow (which is included on the record). As I mentioned above, having grown up in Dixie, I love the southern soul I hear throughout. That sound is what Smith would call “swampy.” I’ve been curious about that label and recently asked Smith about that as well as other aspects of her music and new release.

EH: Where does the “swampy” vibe come from? What drives that sound for you?

JS: I grew up in the hot, marsh-y, traditional south. Music in that neck of the woods was bendy, dirty, soulful, and used acoustic instruments. It was all about coming together and playing together. Though my immediate family was not musical, all the influences outside of them were there. In college, I tried on many different “styles” of music, but this swampy, messy, soulful thing was always what clicked with me the most. It also fit with my personality. I love the messy, darker life stuff, and I write from that place a good bit. And swampy-sounding music allows me to be the messy-deep chick I am on the inside. 

Image from Jessie Smith’s website

EH: What are your lyrics based on? What inspires them?

JS: I don’t write songs one particular way. The one thread that stays the same, though, is vulnerability. I figured if I’m going to write something, it better at least be real. I am always trying to understand the meaning of things. “Sitting Pretty” is my attempt to understand the culture of money and the pressures around it. My song, “Here With You” is about marriage and what I am trying to understand about love. I also have written songs about my struggles with depression, and “In The Morning” and “Lighting Up The World” shows this. I basically lay myself bare for my songs.

EH: What song on the record is the most meaningful to you?

JS: SUCH a hard one to answer! It’s a tie between two. “Been In The Storm” because it was one of the first songs I had written in my beloved “swampy” style, and it really solidified the theme of my music career. And “Take A Chance On Me” because that one was the first song I wrote that kind of wrote itself, and I still get chills singing it.

EH: How has the album been received thus far?

JS: It is doing well! I had some great album reviews on No Depression and a few other music blogs, and that was a great surprise. My favorite thing has been hearing from people who appreciate my rawness – it’s scary putting yourself out there on a stage, but there’s just no other way to do it, in my opinion, and to see it being well received makes me have hope in the world again, ha.

EH: Do you have any specifics yet on your potential visit to Eau Claire?

JS: I am currently looking to book shows in Eau Claire and surrounding areas for the first week of August. I am already booked to play for Band On The Sand on Crater Island in Brownsville, MN, August 4th and 5th.

You can catch some of her swampy vibe by checking out Like the Sun for yourself. You can stream or buy it by clicking the appropriate links on Smith’s homepage. And, if you’re in Wisconsin or Minnesota, plan to see Smith play live at the event in Brownsville (close to LaCrosse) or in Eau Claire.

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