Photo above by Angela So
Every once in a while, everyone needs to push the “Reset” button. Maybe things got a little stale… maybe the current course isn’t really working… maybe you’re feeling more a part of the crowd than you really are, or want to be. Recently, L.A.-based rocker Kat Meoz decided it was time for such a reset. She didn’t want to be lost in the crowd.
I first discovered Kat’s music before this “reset,” when she made music under the name GRIT. Admittedly, that’s a pretty commonly used word/name in the music world. However, it was a fitting name, because her music is FULL of grit. In fact, it’s pretty dang BA. Under her former moniker, Kat released an EP on Noisetrade some time ago, which included a couple of songs that would make their way onto TS10 weekly playlists (New Car and Look Away). There’s no way this music should be lost in the midst of multiple “grits”, so Kat recently decided to make a change.
Recently, I caught up with Kat to ask her about this change, as well as discuss other aspects of her musical journey.
You recently changed your “brand” from GRIT to Kat Meoz. Why did you make that change?
I made the change because “grit” was unsearchable, there are countless projects entitled “grit” or some variation of the word. I trademarked the name for the US but it could still be challenged, and I didn’t really want to spend money or energy on taking people to court over it once it became clear how many there actually were. After years of pushing the band name and even after getting some recognition… if you typed GRIT into itunes/Spotify/Soundcloud or wherever, I’d be the 45th person to come up and that just wasn’t cool. In early 2017 a Grit in France got written up in a French Rolling Stone blog at the same time that a Grit in Scotland was dominating Hype Machine. I wasn’t about to file for an international trademark so it was time. Countless conversations were had and I was admittedly over-thinking it, but by the time the decision was processed it felt right. I’ll always have grit and be tenacious; nothing’s changed there. If anything, going by my name has given me freedom as far as playing with different band members goes.
Who are your musical/artistic inspirations?
I’ve always been inspired by songwriting in general, so I am a lover of all types of music. A hit song is a hit song to me no matter what the genre. From Radiohead to Raffy, if a song is undeniably catchy I will listen to it on repeat until I’ve dissected it. I (was) influenced initially at a young age by what my father listened to: Nat King Cole, Willie Nelson, Gloria Estefan, Harry Belafonte, Steve Lawrence, Tom Jones, The Bee Gees, The Beatles. Later in life he introduced me to The Rolling Stones and I have vivid memories of my mom singing along with all her heart to Jim Croce or Billy Joel on rides home from school. I watched Yellow Submarine and A Very Chipmunk Adventure a thousand times as a kid. I didn’t love every single song in those movies, but I did love the anticipation of “oh here comes the part with the song I don’t like,” watching the scene again and picking apart why that specific piece didn’t work for me. The songs I’ve put out are a mix of influences from blues, classic rock, grunge, alternative, punk and pop writers. I’m probably the most inspired by John Lee Hooker, CCR, Bonnie Raitt, Elvis, Johnny Cash, Yes, Metric, Nirvana, Led Zeppelin, The Who, Joan Jett, The Sex Pistols, The Strokes, Oasis, Jack White’s various projects, Neil Young, Radiohead, Paul McCartney, John Lennon, Eddie Money, early Kings of Leon, early Black Keys, Arctic Monkeys, Sheryl Crow, The Young Rascals, The Stooges, John Denver, Don McLean, Cream, Janis Joplin, and Jimi Hendrix. I could keep going on that list, truly, but all those artists have at least one hit song that heavily influenced my songwriting and desire for quality recordings.
There is a fair portion of angst in your music. Where does that angst come from? Also, how important is it for you to express this angst musically?
I’ve been angsty since childhood, I’m super sensitive and a sponge for negative energy. I axe people out of my life the moment I feel I can’t trust or count on them, and the uncontrollable reflex to do that year after year is something that brings me a lot of pain and spins me into self doubt. I live life by the intuitive directions I receive, and though I question them endlessly, the butterfly effect of my losses and gains up to this point have led me down a path that ultimately I feel lucky to be living. In the past and sometimes still, looking forward without certainty is daunting. The intense feelings that accompany unfulfilled desires play the biggest role in my music. As far as how important it is to express myself, making loud music with a band is my medicine. Banging a guitar while screaming and losing myself in the moment for an audience is a prescription I am constantly looking to refill. I’d be lost if I didn’t have a musical outlet, every time something paralyzing in my life has happened it’s been music or a musical opportunity that coaxed me back on my feet.
Do you have any tours planned that would take you away from L.A. any time soon? Upper Midwest?
I just added a second guitar player to the mix, and I’m happy because the new band I play with is open to touring which hasn’t been a real possibility until now. We will probably do a Texas run first but when we make it to the Upper Midwest, Tomme Suab will be the first to know.
Of course, that last response made me smile. Come on up here, Ms. Meoz! However, her response to the “angst” question warmed my heart. I’m not a musician, but I have personally experienced the healing power of music. And, it was a privilege to hear a musician pull back the curtain on how music is her medication. There is power in music, artistry, and creativity.
You can check out Kat’s music in the following spaces: